In the Composition performance series, 2006 - ongoing, a field of performing musicians each stands atop their individual amplifier. The musicians are arranged into three bands that play their own composition: songs commissioned especially for each iteration from local composers.

All three songs have the same musical structure, the same four chords, musical scale, and BPM. At a point in the performance, all three bands play simultaneously. Due to their structural resemblance, a dense-yet not entirely-cacophonous musical field is formed. As the songs seep into one another, the musicians collective shifting silhouettes form a sculptural composition that compliments the sonic one. For the audience, sound becomes physical as their movement through the field disassemble and reassemble the songs in a musical mix that is guided by their own positioning and location.compliments the sonic one. For the audience, sound becomes physical as their movement through the field will disassemble and reassemble the songs in a musical mix that is guided by their positioning and location.

Composition perfromances over the years: Composition 24, 2006 Herzliya Museum of Art, Herzliya; Composition 24, 2009 , Art Focus, Jerusalem; Composition 8, 2009, X Initiative, NYC; Composition 20, 2016, The High Line Art, NYC; Composition 18, 2016, Art Basel Miami Beach Public, Miami; Composition 21, 2017, Prospect 4, New Orleans; Composition 21, 2019, Nasher Museum of Art at Duke University, Durham.